Center for Women's History

Explore women's history through exhibitions, programs, scholarship, and immersive multimedia.

About the center

Our Center for Women’s History is the first of its kind in the nation within the walls of a major museum. At the Center, we explore the lives and legacies of women who have shaped and continue to shape the American experience. As a hub for scholarship and education, the Center demonstrates how women across the spectrum of race, class, and sexuality exercised power and effected change. Guided by a committee of distinguished historians and informed by the latest research, the Center features permanent installations, temporary exhibitions, and a vibrant array of talks and programs, enriching the cultural landscape of New York City and creating new opportunities for historical discovery.

 

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"Miss Rose Bower of North Dakota" Woman playing trumpet, wearing "Votes for Women" sash. Gelatin Silver Photograph, New-York Historical Society.

Major funding for the Center for Women's History programs provided by

The Estate of Jean Dubinsky Appleton
Claudine and Fred Bacher
James Basker and Angela Vallot
Joyce B. Cowin 
Deutsche Bank 
Diana and Joseph DiMenna
Robert and Mercedes Eichholz Foundation 
The Robert David Lion Gardiner Foundation 
Richard Gilder and Lois Chiles 
Susan and Roger Hertog
Susan and Robert Klein 
The Leonard & Judy Lauder Fund 
Diane and Adam E. Max
The Andrew W. Mellon Foundation 
Jennifer and John Monsky
Amanda and Neal Moszkowski
Jean Margo Reid
Pan and Scott Schafler
Michelle Smith 
Eric J. and Daria L. Wallach 
Susan Waterfall
Leah and Michael R. Weisberg

Public funding for the Center for Women’s History
provided by

The New York City Council 

New York City Department of Cultural Affairs 

Empire State Development and I Love New York under 

Governor Andrew Cuomo’s Regional Development Council Initiative 

Institute of Museum and Library Services 

Unidentified photographer. Garment Workers in Chinatown, 1992 . Reproduction. Museum of Chinese in America.

Special Installations

Ladies' Garments, Women's Work, Women's Activism
February 22 - July 21, 2019

The story of the International Ladies’ Garment Workers Union and its role in shaping women’s activism is explored through garments, objects, documents, and photographs in this special installation. Through their work, the ILGWU and its women organizers shaped women’s movements across the 20th century, from the suffrage movement of the 1910s to the fight for the Equal Rights Amendment in the 1970s. 

Female Remedies

November 2, 2018 - May 27, 2019

From unregulated birth control methods to morphine-laced syrups, explore how companies marketed unsafe women's "health" products in an era before the Pure Food and Drug Act of 1906—and how they appealed to women who were desperate to conform to social rules.

Upcoming Exhibitions

LIFE: Six Women Photographers
June 28, 2019 – October 6, 2019

For the editors of LIFE—the first magazine to tell stories with photographs rather than text—the camera was not merely a reporter, but also a potent commentator with the power to frame news and events for a popular audience. For decades, Americans saw the world through the lens of the magazine’s photographers. Between the late 1930s and the early 1970s, LIFE magazine retained few women photographers as full-time staff or on a semi-permanent basis. LIFE: Six Women Photographers showcases the work of some of those women and how their work contributed to LIFE’s pursuit of American identity through photojournalism. The exhibition features more than 70 images showcasing the extraordinary work created by Margaret Bourke-White, Hansel Mieth, Marie Hansen, Martha Holmes, Nina Leen, and Lisa Larsen. 

How were these women part of a larger editorial vision? What topics did they cover, and how did their work reflect—and sometimes expand—the mission of the magazine? The exhibit reveals these photographers’ important role in creating modern photojournalism and defining what LIFE editor-in-chief Henry Luce called the “American Century.” Curated by Sarah Gordon, curatorial scholar in women’s history, Center for Women’s History, and Marilyn Satin Kushner, curator and head, Department of Prints, Photographs, and Architectural Collections; with Erin Levitsky, Ryerson University; and William J. Simmons, Andrew Mellon Foundation Pre-Doctoral Fellow, Center for Women’s History.

Past Exhibitions

 

Betye Saar: Keepin' it Clean
November 2, 2018 –  May 27, 2019

Contemporary artist Betye Saar has shaped the development of assemblage art in the United States, particularly as a device to illuminate social and political concerns. A key figure in the Black Arts Movement and the feminist art movement of the 1960-70s, Saar’s distinct vision harmonizes the personal and the political. Over the years, Saar has transformed the representation of African Americans in American culture by recycling and reclaiming derogatory images such as Aunt Jemimas, Uncle Toms, sambos, and mammies to confront the continued racism in American society and create representations of strength and perseverance. This exhibition focuses on one facet of her work—washboards—created between 1997 and 2017. Presented in the Joyce B. Cowin Women’s History Gallery, part of the Center for Women’s History, the exhibition is organized by the Craft and Folk Art Museum, Los Angeles.

Walk This Way: Footwear from the Stuart Weitzman Collection of Historic Shoes
April 20, 2018 –  October 8, 2018

Shoes in recent years have culturally transcended their utilitarian purpose to become an object of desire and deliberation, calling up abstract considerations—like the freighted meanings of femininity, power, domination, and aspiration—for both women and men alike. Walk This Way: Footwear from the Stuart Weitzman Collection of Historic Shoes highlights examples from the shoe designer’s extensive private collection, assembled over three decades. 

Hotbed
N​ovember 3, 2017 - March 28, 2018

Hotbed explores the vibrant political and artistic scene of Greenwich Village in the early 20th century, where men and women joined forces across the boundaries of class and race to fight for a better world. At the heart of the downtown radicals’ crusade lay women’s rights: to control their own bodies, to do meaningful work, and above all, to vote.

The Duchess of Carnegie Hall: Photographs by Editta Sherman
August 18, 2017-October 15, 2017

Art was a business and a calling for photographer Editta Sherman (1913-2013). After her husband’s death in 1954, she worked tirelessly to maintain the portrait photography business that they had established. Working—and living—in one of the artist studios above Carnegie Hall for more than 60 years, Sherman charmed her celebrity clients with a vivacity and warmth that was reflected in the portraits of her subjects.

Saving Washington
March 08, 2017-July 30, 2017

As the inaugural exhibition in the Joyce B. Cowin Women’s History Gallery, Saving Washington recasts the traditional Founding Fathers narrative to consider the less-examined contributions of women whose behind-the-scenes efforts helped implement the Constitution “on the ground.” In spite of laws restricting their broader participation, elite and non-elite women alike sought various avenues for empowerment, activism, and leadership.

 

 

Creative: Tronvig Group